Dean Martin – Dean Martin's Greatest Hits! Vol. 1 – 1968 – Easy Listening (vinyl lp)
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Stock photo only
| Label | Reprise Records – RS 6301 |
| Format | Vinyl LP |
| Country | Canada |
| Genre | Easy Listening |
| Year | 1968 |
Tracklist
A1Everybody Loves Somebody (2:45)
A2You're Nobody 'Til Somebody Loves You (1:57)
A3In The Chapel In The Moonlight (2:35)
A4Houston (2:38)
A5(Remember Me) I'm The One Who Loves You (2:24)
A6I Can't Help Remembering You (2:38)
B1Nobody's Baby Again (2:23)
B2Every Minute, Every Hour (2:08)
B3Bumming Around (2:41)
B4You'll Always Be The One I Love (2:00)
B5Come Running Back (2:05)
B6The Birds And The Bees (2:06)
Condition
| Sleeve Condition | Near Mint (NM) light ring wear on the cover |
| Label Condition | Mint (M) |
| Vinyl Condition | Side 1 - Mint (M) / Side 2 - M) |
| BIN # | R86 |
Here's a Canadian pressing of Dean Martin's first greatest hits collection from Reprise, capturing Dino at the peak of his solo career after leaving Capitol Records. This 1968 compilation pulls together his biggest Reprise singles from the mid-60s, including "Everybody Loves Somebody," the surprise #1 hit that briefly knocked The Beatles off the charts in 1964, plus "The Door is Still Open to My Heart" and "I Will." What makes this period particularly fascinating is how Martin was simultaneously dominating multiple entertainment mediums – his variety show was crushing the ratings, the Rat Pack was at their cultural zenith, and these recordings showcase his effortlessly cool vocal style that defined American sophistication.
The Canadian Reprise pressings from this era are increasingly sought after by collectors who appreciate the different pressing plant characteristics compared to their US counterparts. Canadian Warner/Reprise releases often used different vinyl compounds and pressing techniques, sometimes resulting in a warmer sound profile that complements Martin's intimate vocal delivery beautifully. This particular volume represents Martin's transition from the orchestrated Capitol years to his more relaxed Reprise period, where he worked with arrangers like Ernie Freeman to create that signature laid-back groove. For collectors of mid-century vocal jazz and easy listening, this serves as an essential document of one of the era's most charismatic performers during his commercial and artistic sweet spot.
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Retro Revolution Records – Halifax, Nova Scotia
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