Harry Belafonte – Belafonte Sings The Blues – 1960 – Vocal (vinyl lp)
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| Label | RCA Victor – LPM-1972 |
| Format | vinyl lp |
| Country | US |
| Genre | Vocal |
| Year | 1960 |
Tracklist
A1A Fool For You (3:38)
A2Losing Hand (4:16)
A3One For My Baby (4:34)
A4In The Evenin' Mama (3:29)
A5Hallelujah I Love Her So (2:53)
A6The Way That I Feel (4:29)
B1Cotton Fields (5:17)
B2God Bless' The Child (5:03)
B3Mary Ann (2:41)
B4Sinner's Prayer (4:42)
B5Fare Thee Well (4:37)
Condition
| Sleeve Condition | Very Good Plus (VG+) yellowing around the edge |
| Label Condition | Mint (M) |
| Vinyl Condition | Side 1 - Very Good (VG) / Side 2 - Mint (M) amazing |
| BIN # | R82 |
Here's a pressing that showcases Harry Belafonte well beyond his calypso fame – this 1960 RCA Victor release finds the King of Calypso diving deep into the blues repertoire with surprising authenticity and vocal power. While most folks know Belafonte for "Day-O" and his Caribbean material, this album reveals his serious jazz chops and his ability to inhabit the emotional landscape of classic blues standards. Working with arrangements that lean more toward intimate jazz trio settings than his typical orchestral productions, Belafonte tackles songs like "Cotton Fields," "Losing Hand," and "A Fool for You" with a gravelly intensity that might surprise listeners familiar only with his more commercial work.
What makes this particular RCA pressing noteworthy is the exceptional recording quality – those signature RCA engineers captured every nuance of Belafonte's voice during what many consider his vocal prime. This was also one of his more personal projects, recorded during a period when he was increasingly involved in the civil rights movement, and you can hear that social consciousness bleeding into his interpretation of these blues standards. For collectors of vocal jazz or those building a complete Belafonte discography, this represents an essential bridge between his folk/calypso material and his later, more politically charged work. It's the kind of album that demonstrates why Belafonte was taken seriously by jazz critics, not just pop audiences.
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Retro Revolution Records – Halifax, Nova Scotia
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