It's A Beautiful Day – At Carnegie Hall - 1972 -Psychedelic Rock (vinyl) great copy!
It's A Beautiful Day – At Carnegie Hall - 1972 -Psychedelic Rock
|A1||Give Your Woman What She Wants||3:48|
|A2||A Hot Summer Day||8:27|
|A3||Angels And Animals||3:53|
|B1||Going To Another Party||4:19|
|B3||The Grand Camel Suite||3:00|
David LaFlamme, a former soloist with the Utah Symphony Orchestra, had previously been in the band Orkustra, and unusually, played a five-string violin. The other members of It's a Beautiful Day in its early years were Hal Wagenet (guitar), Mitchell Holman (bass) and Val Fuentes (drums). Although they were one of the earliest and most important San Francisco bands to emerge from 1967'ssocial phenomenon Summer of Love, the band never quite achieved the success of contemporaries such as Grateful Dead, Jefferson Airplane and Santana, with whom they had connections. The band created a unique blend of rock, jazz, folk, classical and world beat styles during the initial seven years it was officially together.
Early history: 1967–1969
The band's original manager, Matthew Katz, had previously worked with the rock bands Jefferson Airplane and Moby Grape. The members of the band were unaware that the other two bands were already trying to end their business relationships with Katz. During 1967 and early 1968, Katz prevented It's a Beautiful Day from performing in San Francisco, telling them they were not ready. He booked their first public appearances at a club he controlled in Seattle,Washington, formerly known as theEncore Ballroom. Katz renamed the club San Francisco Sound. While in Seattle, the group lived in the attic of an old house owned by Katz while writing and rehearsing new songs in between club performances. Few customers came to the club during the band's engagement in Seattle during December 1967.
The band's signature song "White Bird" was inspired by the experiences David and Linda LaFlamme had while living in Seattle. In an ironic twist on the band's name, the sad song was partly inspired by Seattle's rainy winter weather. In a later interview, David LaFlamme said:
- "Where the 'white bird' thing came from ... We were like caged birds in that attic. We had no money, no transportation, the weather was miserable. We were just barely getting by on a very small food allowance provided to us. It was quite an experience, but it was very creative in a way."
By the time the group members returned to San Francisco they had no money and were frustrated by Katz's attempts to manipulate their career. In desperation, they began playing at a few clubs without Katz's approval. The band gradually began to gain some recognition and earn money. The band got its first big break when offered a chance to open for Cream at the Oakland Coliseum, in Oakland, California on October 4, 1968. Around this time, the band first began a long process of trying to disentangle themselves from Katz.
The band's debut album, It's a Beautiful Day, was produced by David LaFlamme in Los Angeles, California, and released by Columbia Records in 1969. It features tracks such as "White Bird", "Hot Summer Day", and "Time Is". The album reached number 47 in the U.S. charts and number 58 in the UK. The theme from the song "Bombay Calling" was later used, at a slower tempo, by Deep Purple as the intro to "Child in Time" on its Deep Purple in Rock album. The vocals and violin playing of David LaFlamme plus Santos's singing attracted FM radio play attention, and nationally, "White Bird" bubbled under Billboard's Hot 100 chart, peaking at number 118.
The band was almost invited to play at Woodstock. When Michael Lang was negotiating with Bill Graham to get the Grateful Dead to appear, Graham insisted Lang put one of two acts that he managed on the bill. Lang then listened to a tape of both It's a Beautiful Day and the other band and liked them so much that he couldn't decide so he flipped a coin and It's a Beautiful Day lost. The band that won was Santana, who became stars overnight.