Merle Haggard, The Strangers – I Love Dixie Blues ... So I Recorded "Live" In New Orleans – 1973 – Country / Honky Tonk / Bakersfield Sound (vinyl lp)

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Product details
  • Vendor Retro Revolution Records

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Stock photo only

Label Capitol Records – ST-11200
Format vinyl lp
Country US
Genre Country / Honky Tonk / Bakersfield Sound
Year 1973

Tracklist

A1Hammin' It Up (2:00)

A2Everybody's Had The Blues (3:35)

A3Big Bad Bill (Is Sweet William Now) (2:50)

A4I Forget You Every Day (2:46)

A5I Ain't Got Nobody (And Nobody Cares For Me) (2:52)

A6Carolyn (2:45)

A7Champagne (1:47)

B1Lovesick Blues (3:15)

B2The Emptiest Arms In The World (3:19)

B3Nobody Knows I'm Hurtin' (1:50)

B4Introduction To 'Way Down Yonder In New Orleans (0:57)

B5'Way Down Yonder In New Orleans (2:04)

B6Okie From Muskogee (3:00)

B7I Wonder If They Ever Think Of Me (2:45)

B8Finale (1:01)

Condition

Sleeve Condition Very Good Plus (VG+) light ring wear / corner wer
Label Condition Mint (M)
Vinyl Condition Side 1 - Very Good (VG) / Side 2 - Mint (M) amazing
BIN # R82

Here's a piece of Merle Haggard history that showcases the Okie from Muskogee at his most adventurous. "I Love Dixie Blues" represents Haggard's bold 1973 experiment blending his signature Bakersfield sound with traditional New Orleans jazz and blues. Despite what the title suggests, this wasn't actually recorded live – it's a studio album that captures Haggard and The Strangers exploring brass-heavy arrangements and Dixieland-influenced material that was quite a departure from their usual honky-tonk fare. The album features fascinating interpretations of standards like "Basin Street Blues" and "Bourbon Street Blues" alongside Haggard originals, all filtered through his distinctly country sensibility.

 

What makes this Capitol pressing particularly noteworthy is how it documents a pivotal moment when Haggard was flexing his musical muscles and proving his versatility beyond the bakersfield sound that made him famous. The production work captures both the spontaneous feel he was aiming for and the tight musicianship of The Strangers, who adapted remarkably well to this jazz-influenced material. For collectors of Haggard's catalog, this represents one of his most underrated and experimental efforts – a fascinating detour that shows an artist unafraid to challenge both himself and his audience's expectations. It's the kind of creative risk-taking that reminds you why Haggard was considered one of country music's most complete artists.

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Retro Revolution Records – Halifax, Nova Scotia

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